Categories John is most interested in representing:


Thrillers, domestically-set suspense, suspense with Western themes and settings, crime novels, and mystery series with bestselling potential. I look particularly for authenticity, a strong and engaging voice, good pacing, and, most of all, a singular protagonist who grabs my attention from page one.

Some favorite authors who are non-clients include CJ Box, James Lee Burke, Lee Child, Michael Connelly, Nelson DeMille, Greg Iles, Craig Johnson, and Walter Mosley.

Favorite individual titles include American Assassin by Vince Flynn, Cathedral by Nelson DeMille, Cemetery Girl by David Bell, Devil in a Blue Dress by Walter Mosley, Die Trying by Lee Child, Eye of the Needle by Ken Follett, The Force by Don Winslow, The Girl With the Dragon Tattoo by Stieg Larsson, Light of the World by James Lee Burke, Mystic River by Dennis Lehane, November Road by Lou Berney, and Tell No One by Harlan Coben.

Women's, Southern, and literary fiction:

I'm looking for authors with distinctive voices who convey a sense of authenticity and who write with conviction; strong characters, especially those who are resilient in unique ways; and well-constructed plots to keep the pages turning. I am especially interested in those who can bring a fresh take, a different background, voice, style or structure to the pages.

Some recent favorite works by non-clients include S.A. Cosby's Blacktop Wasteland, Leah Hampton's F*ckface, Jean Hanff Korelitz's The Plot, David Joy's When These Mountains Burn, and David Heska Wanbli Weiden's Winter Counts.


I'm looking for sports narratives and biographies, immersive journalism, and unique histories. I want to see a stance on a given topic, answers to the "why" of the book's premise, perspective, and what I call the "whole life" in terms of biography and history.

Friday Night Lights by H.G. Bissinger, The Monk of Mokha by Dave Eggers, Rammer Jammer Yellow Hammer: A Road Trip into the Heart of Fan Mania by Warren St. John, and Their Life's Work: The Brotherhood of the 1970s Pittsburgh Steelers by Gary M. Pomerantz are examples of nonfiction that have stayed with me. Joan Didion is my touchstone for craft.

If you are not sure if I handle your kind of writing please do send me a query, as I work in a variety of areas and am open to many types of manuscripts. A cycle through the cover cascade on the Home Page might help to give you an idea of what I like to do. There are no absolute necessities except for an author's passion, a desire to develop one's craft, and the goal of communicating through words.

Categories Gail is most interested in representing:

I am looking for wonderful new or established voices in commercial women's fiction, upmarket high concept suspense (including domestic suspense, psychological suspense, thrillers, espionage) , book club fiction, historical fiction (particularly with a suspense element), historical mysteries, mysteries (both cozy and traditional), Up Lit, and narrative nonfiction.

Narrative nonfiction can cover almost any subject, but food, travel, history, sports and science are particular interests of mine. Newspaper and magazine experience is helpful; many books are generated from concepts first tried out in articles.

In fiction, I am looking for commercial fiction, beautifully written. It needs a voice that grabs me and a narrative that keeps me turning the pages. I like original voices. I like quirky novels with dual narrators, settings and time periods. The writing needs to be immediate with well- developed characters that leap off the page and make me feel they are sitting across the table from me, telling their story. I am particularly looking for authors with an MFA who write commercial fiction.

Books I love that I wish I had agented:

DAISY JONES AND THE SIX, Tara Jenkins Reid, THE TIGER'S WIFE, Tea Obreht, PIRANESI, Susanna Clarke, RULES OF CIVILITY, Amor Towles, THE SEARCHER, Tana French, MAISIE DOBBS, Jacqueline Winspear, THE SWEETNESS AT THE BOTTOM OF THE PIE, Alan Bradley, WHERE THE CRAWDADS SING, Delia Owens, THE LIST, Cynthia D'Aprix Sweeney, THE LYING GAME, Ruth Ware, STATION ELEVEN, Emily St. John Mandel, THE DOLLHOUSE, Fiona Davis, SUMMER OF '69, Elin Hildebrand, STARDUST, Joseph Kanon, NOVEMBER ROAD, Lou Berney, THE FORGOTTEN GARDEN, Kate Morton, ALL THE LIGHT I CANNOT SEE, Anthony Doerr, THE PARIS WIFE, Paula McLain, HOTEL ON THE CORNER OF BITTER AND SWEET, Jamie Ford, BEAUTIFUL DAY, Elin Hildebrand, MISSION TO PARIS, Alan Furst, THE EYRE AFFAIR, Jasper Fforde, THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY, Mary Ann Shaffer and Annie Barrows, THE EIGHT, Katherine Neville, WATER FOR ELEPHANTS, Sara Gruen, SHOGUN, James Clavell, THE PIANO TUNER, Daniel Mason, DON'T LET'S GO TO THE DOGS TONIGHT, Alexandra Fuller, THE RIVER OF DOUBT, Candice Millard, A HOMEMADE LIFE, Molly Wizenberg.

What we're not interested in representing:

We do not represent children's books, fantasy, poetry, or screenplays.

Do you charge reading fees?

We do not charge reading fees.

What is the approximate ratio between fiction and nonfiction at your agency?

Right now it's probably about three quarters fiction and one-quarter nonfiction.

How would you describe an ideal client?

Our clients put passion into their writing and are enthusiastic about what they do. They communicate well with their editors and forge strong and responsive relationships with them. They love to read as much as we do, and they're the kind of people you'd enjoy hanging out with.

How and why did you become an agent?

Becoming an agent was a natural progression from being editors. The work is similar, but we're able to spend less time in meetings and more time working with authors. We can also handle a more eclectic range of material, and we get to work with editors throughout the industry who share our passions and enthusiasms.

What if anything can a writer do to increase the odds of you becoming his or her agent?

Put your best efforts into your work and just follow the submission guidelines; we welcome submissions from new and aspiring authors as well as those who are further along in their careers.

Do you have any particular thoughts about editors or publishers in general?

Editors are without a doubt the hardest working and most idealistic people in book publishing. Publishers represent the best opportunity for gifted writers to get wide distribution, readership, and money in what is an often difficult business.

Personal information and interests for John:

Favorite TV Series:
The Americans, Bosch, Friday Night Lights, Hell on Wheels, Justified, Longmire, Ozark, The Son, Sons of Anarchy, The Sopranos, The Walking Dead.

Favorite Movies:
Any Given Sunday, The Bourne Ultimatum, Chinatown, Dazed and Confused, the Fast and Furious franchise, Gladiator, Goodfellas, Jerry Maguire, School of Rock, Slapshot, The Taking of Pelham One Two Three (original), the John Wick trilogy, Saving Private Ryan, Working Girl.

I am a hockey dad. Favorite teams are the Bruins and the Steelers. I enjoy traveling and Kyoto, Quebec City, Prague, the Isle of Iona, Lake Placid and Miami are among my favorite places. We have two cats, an orange tabby and a Maine coon mix. I drive a Dodge Challenger. Good coffee and the search for great manuscripts are what get me up in the morning.

Personal information and interests for Gail:

When I'm not reading, I'm happiest in my kitchen cooking and listening to The Psychedelic Furs. I love history and am a terrific armchair traveler. I've always been a Francophile and also have a fascination with Antarctica. Love old movies and binge watch Better Call Saul. I do needlepoint and am passionate about music. I always love to learn something new.