Categories John is most interested in representing:

MSWL update for John:

Crime: I look for authenticity, a strong and engaging voice, good pacing, and, most of all, a singular protagonist who grabs my attention from page one. James Lee Burke sets the bar, with indelible characters and the ability to set a scene using all of the senses. Favorite titles by non-clients include November Road by Lou Berney, The Tin Roof Blowdown by James Lee Burke, The Black Echo by Michael Connelly, Blacktop Wasteland by S.A. Cosby, Mystic River by Dennis Lehane, Devil in a Blue Dress by Walter Mosely, and Winter Counts by David Heska Wanbli Weiden.

Literary fiction that can be described as quirky and enchanting, something heartland and funny and sad, with a memorable voice and that takes a deep dive into character. I'm thinking of titles such as Jean Kyoung Frazier's Pizza Girl, Julia Langbein's American Mermaid, Tom Perrotta's Tracy Flick Can't Win, Karen Russel's Swamplandia!, J. Ryan Stradal's The Lager Queen of Minnesota, Jonathan Tropper's The Book of Joe, and Kevin Wilson's Now is Not the Time to Panic.

Mysteries that are voicey, clever, fun, and traditional in structure with a slight twist or update. If you liked Elle Cosimano's Finlay Donovan is Killing It, Anthony Horowitz's A Line to Kill, Richard Osman's The Thursday Murder Club, and Nita Prose's The Maid, we are on the same wavelength.

Rom-Coms that are aimed at readers with life experience. Annabel Monaghan's Nora Goes Off Script is a great example; charming and fun and "reads fast."

Southern fiction: My client Donna Everhart's The Saints of Swallow Hill has an immersive voice that pulls you deep into the story and the milieu, as does client Henry Wise's debut novel Holy City.

Suspense with a storyteller's voice and great pacing that keeps me guessing with a good amount of twistiness and gaslighting. In that vein, I loved Laura Dave's The Last Thing He Told Me as well as Carolyn Kepnes's You.

Thrillers: Several of my clients are top-of-category here, but some favorites by non-clients include My Sister the Serial Killer by Oyinkan Braithwaite, Killing Floor by Lee Child, Tell No One by Harlan Coben, I Am Pilgrim by Terry Hayes, The Plot by Jean Hanff Korelitz, The Girl With the Dragon Tattoo by Stieg Larsson, and A Simple Plan by Scott Smith.

Women's fiction: I'm looking for authors with distinctive voices who convey a sense of authenticity and who write with conviction; strong characters, especially those who are resilient in unique ways; and well-constructed plots to keep the pages turning. I am especially interested in those who can bring a fresh take, a different background, voice, style or structure to the pages. Some favorite works by non-clients include The Secret Life of Bees by Sue Monk Kidd, Where the Crawdads Sing by Delia Owens, and Carrie Soto is Back and Malibu Rising by Tara Jenkins Reid.

Nonfiction: I'm looking for sports narratives and biographies, immersive journalism, and unique histories. I want to see a stance on a given topic, answers to the "why" of the book's premise, perspective, and what I call the "whole life" in terms of biography and history. Friday Night Lights by H.G. Bissinger, The Monk of Mokha by Dave Eggers, Rammer Jammer Yellow Hammer: A Road Trip into the Heart of Fan Mania by Warren St. John, and Their Life's Work: The Brotherhood of the 1970s Pittsburgh Steelers by Gary M. Pomerantz are examples of nonfiction that have stayed with me.

If you are not sure if I handle your kind of writing please do send me a query, as I work in a variety of areas and am open to many types of manuscripts. A cycle through the cover cascade on the Home Page might help to give you an idea of what I like to do. There are no absolute necessities except for an author's passion, a desire to develop one's craft, and the goal of communicating through words.

Categories Gail is most interested in representing:

I am looking for wonderful new or established voices in commercial women's fiction, upmarket high concept suspense (including domestic suspense, psychological suspense, thrillers, espionage), book club fiction, historical fiction (particularly with a suspense element), historical mysteries, mysteries (both cozy and traditional), Up Lit, and narrative nonfiction.

Narrative nonfiction can cover almost any subject, but food, travel, history, sports and science are particular interests of mine. Newspaper and magazine experience is helpful; many books are generated from concepts first tried out in articles.

In fiction, I am looking for commercial fiction, beautifully written. It needs a voice that grabs me and a narrative that keeps me turning the pages. I like original voices. I like quirky novels with dual narrators, settings and time periods. The writing needs to be immediate with well- developed characters that leap off the page and make me feel they are sitting across the table from me, telling their story. I like twists, I like to be surprised, I like to be completely immersed in a story. If I believe in the characters and love the voice I will follow you anywhere. I am particularly looking for authors with an MFA who write commercial fiction.

Books I love that I wish I had agented:

THE MAID, Nita Prose

DAISY JONES AND THE SIX, Tara Jenkins Reid, THE TIGER'S WIFE, Tea Obreht, PIRANESI, Susanna Clarke, RULES OF CIVILITY, Amor Towles, THE SEARCHER, Tana French, MAISIE DOBBS, Jacqueline Winspear, THE SWEETNESS AT THE BOTTOM OF THE PIE, Alan Bradley, WHERE THE CRAWDADS SING, Delia Owens, THE LIST, Cynthia D'Aprix Sweeney, THE LYING GAME, Ruth Ware, STATION ELEVEN, Emily St. John Mandel, THE DOLLHOUSE, Fiona Davis, SUMMER OF '69, Elin Hildebrand, STARDUST, Joseph Kanon, NOVEMBER ROAD, Lou Berney, THE FORGOTTEN GARDEN, Kate Morton, ALL THE LIGHT I CANNOT SEE, Anthony Doerr, THE PARIS WIFE, Paula McLain, HOTEL ON THE CORNER OF BITTER AND SWEET, Jamie Ford, BEAUTIFUL DAY, Elin Hildebrand, MISSION TO PARIS, Alan Furst, THE EYRE AFFAIR, Jasper Fforde, THE GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY, Mary Ann Shaffer and Annie Barrows, THE EIGHT, Katherine Neville, WATER FOR ELEPHANTS, Sara Gruen, SHOGUN, James Clavell, THE PIANO TUNER, Daniel Mason, DON'T LET'S GO TO THE DOGS TONIGHT, Alexandra Fuller, THE RIVER OF DOUBT, Candice Millard, A HOMEMADE LIFE, Molly Wizenberg.

What we're not interested in representing:

We do not represent children's books, fantasy, poetry, or screenplays.

Do you charge reading fees?

We do not charge reading fees.

What is the approximate ratio between fiction and nonfiction at your agency?

Right now it's probably about three quarters fiction and one-quarter nonfiction.

How would you describe an ideal client?

Our clients put passion into their writing and are enthusiastic about what they do. They communicate well with their editors and forge strong and responsive relationships with them. They love to read as much as we do, and they're the kind of people you'd enjoy hanging out with.

How and why did you become an agent?

Becoming an agent was a natural progression from being editors. The work is similar, but we're able to spend less time in meetings and more time working with authors. We can also handle a more eclectic range of material, and we get to work with editors throughout the industry who share our passions and enthusiasms.

What if anything can a writer do to increase the odds of you becoming his or her agent?

Put your best efforts into your work and just follow the submission guidelines; we welcome submissions from new and aspiring authors as well as those who are further along in their careers.

Do you have any particular thoughts about editors or publishers in general?

Editors are without a doubt the hardest working and most idealistic people in book publishing. Publishers represent the best opportunity for gifted writers to get wide distribution, readership, and money in what is an often difficult business.

Personal information and interests for John:

Favorite TV Series:
The Americans, The Bear, Bosch, Burn Notice, Call My Agent!, Fauda, Friday Night Lights, George & Tammy, Hell on Wheels, Justified, Longmire, The Offer, Ozark, Poker Face, Rome, The Son, The Sopranos, Tehran, Tokyo Vice, Treme, Tulsa King.

Favorite Movies:
Any Given Sunday, The Bourne Ultimatum, Chinatown, Dazed and Confused, Die Hard, Elvis, Gladiator, Goodfellas, Jerry Maguire, School of Rock, Slapshot, Saving Private Ryan, Top Gun: Maverick, Walk the Line, John Wick IV, Working Girl.

I am a hockey dad. My sports teams are the Boston Bruins and the Ole Miss Rebels. I enjoy traveling and the Isle of Iona, Kyoto, Lake Placid, Miami, Prague, and Quebec City are among my favorite places. My favorite bookstore is Square Books in Oxford, Mississippi. James Meredith is my inspiration. Swimming, long drives, and the occasional bourbon keep me going. Current playlist includes Billy F. Gibbons, Christone "Kingfish" Ingram, the North Mississippi All Stars, and Nathaniel Rateliff and the Nightsweats. We have a talking cat named Angus. I drive a Dodge Charger. Good coffee and the search for great manuscripts are what get me up in the morning.

Personal information and interests for Gail:

When I'm not reading, I'm happiest in my kitchen cooking and listening to The Psychedelic Furs. I love history and am a terrific armchair traveler. I've always been a Francophile and also have a fascination with Antarctica. Love old movies and binge watch Better Call Saul. I do needlepoint and am passionate about music. I always love to learn something new.